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Surrounded by flood lights, it was like the spaceship from “Close Encounters of the Third Kind,” and it lit the crowd below in such a beautiful way that the entire show was a breathtaking visual bonanza. He’s usually much more physical, lunging into every word and syllable, and there were times where he turned it on, like when he heaved his arms forward like a pitcher gunning a fastball over home plate during “Black Skinhead.” Other times, he was as stiff as a statue during “Heartless,” he stood at the edge of his stage, bathed in deep red light from above, and simply peered down at the audience below.īut oh man, that stage. Yet there were several times Wednesday when he just kind of stood there, slowly stalking around his stage, in an almost sedated manner. However you feel about Kanye West, it’s impossible to deny his magnetism as a performer it’s always been one of his strongest assets.
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And given that he’s got the best view in the house, there were several moments Wednesday where Kanye seemed to pause, look around and take it all in. He’s not so much performing for the audience as he’s performing at them. It’s a triumph of minimalist production and staging as anti-staging.
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There is no end stage, no band set up, just him performing on a floating stage for the duration of the 100-minute concert. Where Kanye upped the ante - and took concert staging in general to the proverbial next level - is by making that the whole show. It’s a simple enough concept, and many artists have utilized similar set-ups to travel out over the crowd for a song or two during their concerts. Back and forth over the crowd, sometimes tilting downward, with a safety harness that attaches to his back to keep him from falling over the edge. He’s done so by devising a small stage that hangs from a rig above and slowly moves over the audience's heads. But on his current tour, he’s positioned himself literally above his fans, looking down on them and preaching to them as if they're his disciples. Kanye has always had a God complex, it’s part of what makes him such a thrilling - and divisive - artist. Kanye West rode an Ultralight Beam into Joe Louis Arena on Wednesday for the first of two area stops on his “Saint Pablo” tour, thrilling his audience - especially the general admission floor crowd - with an exhilarating, visionary set design that found him hovering on a stage over the top of his fans. His comments spawned a brief, but venomous, #KanyeIsOver party on Twitter.View Gallery: Kanye West performs at Joe Louis Arena You might not like it, but they gotta hear it." "If y'all still keep following old models, your ass is going to get Hillary Clinton'd. "This Saint Pablo Tour is the most relevant shit happening," West said during that ill-fated performance. Two nights later, West launched into an even more vitriolic screed airing out issues with Beyoncé, Jay Z, Mark Zuckerberg and Trump's former Democratic rival.
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The rapper called the reality TV star-turned-politician's campaign "genius" and very "futuristic," promising he would run his own campaign in a similar way come 2020. His comments on Kid Cudi, following the artist's Twitter rant that called out West for using ghostwriters, and his cursing out Jay Z for not visiting him following Kim Kardashian West's robbery at gun point in Paris, were rare exceptions - until last week.ĭuring a show in San Jose on Thursday, West addressed his feelings about Donald Trump in a polarizing rant. On the whole, it contained far fewer of West's " visionary streams of consciousness," or rants (take your pick), than past tours.